Sixty-four waves in each of thirty-two tables, a knob to sweep them, and a resonant low-pass with envelopes of its own.
Modulr Wave is a one-voice wavetable synthesizer after the grammar of a 1989 wavetable instrument: thirty-two tables of sixty-four waves swept by one large knob and moved by an envelope and an LFO, a detuned second oscillator, a sub oscillator an octave below and noise, a resonant low-pass with its own envelope, and a data wheel with a two-line display. It is a VST3 and Audio Unit for Apple silicon.
Each clip is the plug-in itself: a patch is picked in the drawer and loaded, then a played chord or line sounds on it, the way it is played into the plug-in from a keyboard. The seventeen patches hold three distinct sounds, one for each clip here: the three starting points are this product’s reading of a pad, a lead and a bass, and the artist-named patches reuse them. No source documents a setting on the instrument, so none of these is any record’s own.
| Format | Systems | Licence |
|---|---|---|
| VST3 · Audio Unit | macOS 11 or later, on Apple silicon | $25. A licence file for each machine is needed to make sound; without one the editor opens and the output is silent, and there is no automatic way yet to receive one. |
The first drawing is the plug-in editor as it opens. The second is the Eurorack module the study is also drawn as; the module is a design study and is not built.

The editor is the plug-in’s own, as it opens. The module is drawn by the specification’s own kit, and its values are illustrative, not measured. The design is the Microwave’s grammar, redrawn in Modulr’s own words, and nothing on it is measured against the instrument.
The instrument’s own grammar, as the catalogue recalls it: the sections, the controls and the look the study borrows.
The wavetable rack grammar: one position through a table of waves chosen by a single Wave knob and swept by its own envelope, a resonant low-pass, and a front of few controls where a two-line LCD, a row of small page keys and one data wheel carry the menus.
A compact violet and blue front with white lettering: a bright ice-cyan 2 x 16 character LCD, four small grey keys and a knurled data wheel up top, eight pale knobs on one printed plate each with a CV jack under it (Wave and Cutoff ringed), the five jacks in one dark tray.
The module is a design study and is not built. Its macros are the signature controls a player reaches for; in the plug-in every one of them is a knob or a key on the editor.
| Macro | Key | Range | Default |
|---|---|---|---|
| Wave | osc.wave | wave 1 – 64 | wave 1 |
| Table | osc.table | table 1 – 32 | table 1 |
| W Env | wave.env | ±100% | 0% |
| Rate | lfo.rate | 0.05 Hz – 40 Hz | 1 Hz |
| Cutoff | vcf.cut | 20 Hz – 20 kHz | 20 kHz |
| Reso | vcf.res | 0–100% | 0% |
| F Env | vcf.env | ±100% | 0% |
| Release | env.release | 0 ms – 20.0 s | 200 ms |
| Side | Jacks |
|---|---|
| In | Note (MIDI), V/Oct (CV), Gate (CV) |
| Out | Out (Audio), Env (CV) |
Legendary is the catalogue of the Modulr Synths project: 43 design studies drawn with the specification’s own kit, 33 after the synthesizers of all time and 10 after the drum machines. The makers and years named here are the instrument’s; the names, the layouts and every value are Modulr’s own.